Kate Stones, President
Kate Stones has been working with the CTC since 2009. Kate joined the committee in 2010 and served as Secretary from 2011-2018, becoming President in 2017. Her CTC directing credits include Gallipoli: The Musical (2017), Monkey and the Monk (2015), Burqa, (2013). She has performed for the CTC in numerous productions, including as Elizabeth Hare in Frankentstein’s Children (2019), as Doll Common in Playhouse Creatures (2014) , as Rosie Donahue in The Donahue Sisters (2012) for which she was nominated for Best Supporting Actress at the Kyneton One-Act Play Festival. Kate works across independent and community theatre on both a voluntary and professional basis, as Co-Director of The Red Room Theatre; Creative Director of CreateA, an organisation that creates creative opportunities for adults with disabilities, and Education and Community Projects Producer for Castlemaine State Festival. Kate is proud mother to Sunny the whippet, Mamma the cat, Big Mamma, Pepperhead and Blaze the goldfish.
Clare Shamier, Vice President
Clare is an academic and actor (in no particular order) and has been performing in theatre and film for a long little while now. She currently teaches media and politics at Swinburne University. Her first appearance with the CTC was soon after her move up the Calder Highway in Peach Season (2016) and since then has gone on to show her face in a number of productions (Frankentstein’s Chlidren, Gallipoli: The Musical, As You Like It). In 2017 Clare was brought on board to run the publicity arm of the CTC. In her scant spare time Clare cares for and rides her 3 horses, Nino, TC and Willow.
Elaine Matheson, Treasurer
Elaine has her own bookkeeping business, Lynden Bookkeeping, serving the local Castlemaine area. She works pro bono for the local charity HALT (Hope Assistance Local Tradies). HALT aims to remind tradies they are valued by their community, and direct them to support services, both local and national, should they need them. Elaine has also been involved with the CTC backstage, front of house, and made her debut on stage in Gallipoli the Musical (2017). Elaine first connected with community theatre in the late 1990s as part of the Boilerhouse Theatre Group in Sunbury, where she appeared in a number of productions including Black Rock, Peter Pan, and Alice in Wonderland, she also stage managed and worked backstage. Elaine and her partner Lindsay moved to Elphinstone in 2010, and joined the CTC in 2008. Elaine loves theatre.
Delwyn Hopkins, Secretary
Delwyn studied performance studies at Victoria University, before going on to a Graduate Diploma and Masters of Creative Arts Therapy. She has played a diverse number of roles including Hermia in A Midsummer Night’s Dream, the Caterpillar in James and the Giant Peach and a murderer in A Timeless Mystery. Delwyn’s first performance with CTC was in As You Like It, she then went on to crew in Blood Wedding before taking the plunge into the role of Stage Manager for Frankenstein’s Children. Delwyn is a mother of 4 children.
Seamus Curtain Magee
Seamus joined the CTC committee in 2018 after appearing in The Peach Season (2016) and Arsenic and Old Lace (2018). Before a 6 year children-induced hiatus from the stage he specialised in Ancient Greek Comedy, translating and directing The Clouds (2006) and Lysistrata (2008) by Aristophanes. Aside from his pet subject, Seamus has appeared in everything from musicals to Jacobean Tragedy. Seamus teaches by day, and is the committee’s official Tech Head.
Toby is a writer, academic and actor who joined the Committee in 2020. With a background in film and television, Toby came aboard the CTC for As You Like It in 2018. He thereby expanded his repertoire of obscure Shakespeare characters to Pistol (II Henry IV), Seton (Macbeth) and Charles. As a writer/researcher, Toby has contributed to Australian history television documentaries and is currently researching Shakespeare during the Victorian gold rushes.
Mark has been a member of CTC for fair few years now and joined the committee in 2020. He is graduate of Charles Stuart University in Theatre/Media studies and holds a Master Film/TV from Edinburgh College of Art. Mark works as a performer and writer – one of his plays Gallipoli the Musical having been performed by CTC in 2017. Mark believes strongly that theatre’s innate ‘human size’ gives it a remarkable ability to explore ideas, bring people together and create shared journeys.